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Suite for Two Pianos
Sheetmusic to print
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Suite for two Pianos, Op. 20, 2nd Movement, Acrobats
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904544
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077353. Published by David Cundy (A0.904544). Suite for two Pianos, Op. 20, 2nd Movement, Acrobats.
$3.99
3.72 €
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2 Pianos, 4 hands
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David Cundy
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Suite for two Pianos, Op. 20, 2nd Movement, Acrobats
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David Cundy
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SheetMusicPlus
Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904977
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077357. Published by David Cundy (A0.904977). Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations.
$3.99
3.72 €
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2 Pianos, 4 hands
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David Cundy
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Variations.
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Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
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David Cundy
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SheetMusicPlus
Suite for Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. …
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Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s Russian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning Iberian melody, and a barely-recognizable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant statement of the opening bells.Early on, I had decided the piece should include references to the other pieces on the recital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor Sonata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a recording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively second movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surprised the next morning when I went to the music library and listened to a recording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I decided to base my middle movement (the slow movement) around the theme of Beethoven’s scherzo, making it the hidden theme for a short set of variations. The end of the movement also contains less direct references to the music of Brahms (very short allusions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, providing a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00
11.2 €
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Piano solo
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Polka from "Czech Suite", for 2 pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800641 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Simm #6857813. Published by Richard Simm (A0.800641). This arrangement is an exciting challenge for pianists who regret that Dvorak did not write more music for their instrument. As usual, Richard Simm has not simplified the original orchestration for pianists who want to play this fascinating folk-style music. Rather the aim has been to exploit what two pianos can do to approach the composer's unique talent for attractive and evocative orchestration.
$8.95
8.35 €
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2 Pianos, 4 hands
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Antonin Dvorak
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Polka from "Czech Suite", for 2 pianos
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Richard Simm
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SheetMusicPlus
Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold an…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik Fabrik Music Publishing #755315. Published by Musik Fabrik Music Publishing (A0.1155034). Written for Gold and Fizdale during their 1948 visit to Tailleferre home in Grasse, France. This work is four selections from Tailleferre's comic opera.
$32.95
30.74 €
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2 Pianos, 4 hands
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Gold and Fizdale
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Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Georges Bizet: Children's Suite (COMPLETE) - two pianos, four hands
2 Pianos, 4 hands
Instantly printable sheet music by Georges Bizet for two pianos, four hands of EASY/MEDIUM…
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Instantly printable sheet music by Georges Bizet for two pianos, four hands of EASY/MEDIUM skill level. / classical,opera,french
$11.99
11.19 €
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2 Pianos, 4 hands
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Georges Bizet
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Virtualsheetmusic
"Ghost Story" from An Icelandic Suite
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
4.62 €
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2 Pianos, 4 hands
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Richard Simm
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"Ghost Story" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Germaine Tailleferre : Choral et Variations for two pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155043 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155043 Composed by Germaine Tailleferre. 20th Century,Chamber. Score. 45 pages. Musik Fabrik Music Publishing #755324. Published by Musik Fabrik Music Publishing (A0.1155043). Tailleferre's only work in the form of variations, written near the end of her life as part of a French State commission. The work is in the form of a suite which uses themes from all periods of Tailleferre's life. There is also a version for orchestra, whose score is available for sale on this site.
$51.95
48.47 €
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2 Pianos, 4 hands
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Germaine Tailleferre
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Germaine Tailleferre : Choral et Variations for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Norwegian March, from Lyric Suite, op. 54
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1117571 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. Richard Simm #719109. Published by Richard Simm (A0.1117571). The second piece in Grieg's orchestral suite is a rustic march, here arranged for two pianos by Richard Simm.
$5.95
5.55 €
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2 Pianos, 4 hands
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Edvard Grieg
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Norwegian March, from Lyric Suite, op. 54
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Richard Simm
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SheetMusicPlus
March of the Dwarfs, from "Lyric Suite"
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
5.55 €
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2 Pianos, 4 hands
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Edvard Grieg
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March of the Dwarfs, from "Lyric Suite"
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Richard Simm
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SheetMusicPlus
St. Matthew Passion Suite for Two Pianos - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 hands
Composed by Johann Sebastian Bach (1685-1750). Arranged by Greg Anderson. Classical. 3…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Greg Anderson. Classical. 31 pages. Alfred Music - Digital Sheet Music #00-PB-0000565. Published by Alfred Music - Digital Sheet Music
$7.99
7.45 €
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2 Pianos, 4 hands
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Johann Sebastian Bach
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St. Matthew Passion Suite for Two Pianos - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
100 30-Second Pieces for 2 Pianos
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1013067
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1013067 Composed by Evan Ziporyn. 20th Century,Contemporary,Standards. Score and parts. 126 pages. Airplane Ears Music #5808621. Published by Airplane Ears Music (A0.1013067). 100 pieces for two pianos (four hands), each precisely 30 seconds long. The set can be performed in its entirety, mixed-and-match into smaller suites, or performed as individual movements. A companion set by Christine Southworth - of the same title and same length, and written at the same time, in early 2011 - is also available.Composed in 2011 by Evan Ziporyn, .
$10.00
9.33 €
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Evan Ziporyn
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100 30-Second Pieces for 2 Pianos
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Airplane Ears Music
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SheetMusicPlus
"Jazz Suite" for two pianos
2 Pianos, 4 hands
Composed by Panagiotis Theodossiou. 21st Century, Modern, Jazz, Repertoire, Recital.…
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Composed by Panagiotis Theodossiou. 21st Century, Modern, Jazz, Repertoire, Recital. Score, Set of Parts. 61 pages. Published by Panagiotis Theodossiou
$29.00
27.06 €
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2 Pianos, 4 hands
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Panagiotis Theodossiou
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"Jazz Suite" for two pianos
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Panagiotis Theodossiou
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SheetMusicPlus
BRIDGES AND BEYOND - Volume 10a (Two Pianos) - Fantasia Suite
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.1019607 Compos…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.1019607 Composed by Carter Larsen. Contemporary. Score and parts. 81 pages. Edition Isolde #4313035. Published by Edition Isolde (A0.1019607). Two Pianos Bridges and Beyond - Urtext edition. Composed by Carter Larsen. Piano Collection (paper bound.) With standard notation, introductory text. Published by Edition Isolde. Two Pianos 9x12 inches. 148 pgs. Fantasia Suite is a XXI century musical concept for piano and orchestra, a group of composition that represents a continuous cycle of romantic, yet classically written music, in a bold, new contemporary idiom. Bridges and beyond is the tenth A volume of Carter Larsen Fantasia Suite.
$54.90
51.22 €
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1 Piano, 4 hands
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Carter Larsen
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BRIDGES AND BEYOND - Volume 10a
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Edition Isolde
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SheetMusicPlus
Tarantella from Op. 17 for Trumpet in B-flat and Piano
Trumpet, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.810779 Composed by Sergei Rachma…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.810779 Composed by Sergei Rachmaninoff. Arranged by Teigeler, Todd. Romantic Period. Score and part. 39 pages. Gordon Cherry #3015263. Published by Gordon Cherry (A0.810779). Tarantella is the final movement from Suite No. 2, Opus 17 for two Pianos composed in Italy in early 1901. The 6-minute work is a whirlwind of blindingly fast and dramatic music very much in keeping with the composer's trademark style and sound.Todd Teigeler has created an excellent arrangement of this music for Trumpet in B-flat and Piano appropriate for advanced performers.
$20.00
18.66 €
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Trumpet, Piano
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Sergei Rachmaninoff
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Tarantella from Op. 17 for Trumpet in B-flat and Piano
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Gordon Cherry
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SheetMusicPlus
Neptune, The Mystic for 14-part Brass Ensemble, Timpani & Glockenspiel
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.810796 Composed by Gustav Holst…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.810796 Composed by Gustav Holst. Arranged by Sauer, Ralph. Romantic Period. Score and parts. 50 pages. Gordon Cherry #3068147. Published by Gordon Cherry (A0.810796). Holst's 7-movement Suite, The Planets was written between 1914-16 and its first version was scored for two pianos except for the Neptune movement, which was written for organ alone. The music is the first ever composed with a fade-away ending using a womens' chorus. Later, Holst completed his orchestration of the 7-movement Suite, which has become one of the most popular works in the repertoire. Mr. Sauer has brilliantly scored this movement of about nine minutes in length for 14-part brass ensemble with Timpani and Glockenspiel. This concludes his arranging of the complete suite for Large Brass Ensemble. The entire 7-movement Suite is also available for sale as a complete set on our website. Instrumentation is for: 4 Trumpets in C 4 Horns in F 3 Trombones Euphonium, Tuba Timpani and Glockenspiel This music is appropriate for advanced performers.
$30.00
27.99 €
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Brass ensemble
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Gustav Holst
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Neptune, The Mystic for 14-part Brass Ensemble, Timpani & Glockenspiel
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Gordon Cherry
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SheetMusicPlus
Danses concertantes
2 Pianos, 4 hands
2 pianos - difficult - Digital Download SKU: S9.Q563062 Concert vesion for two p…
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2 pianos - difficult - Digital Download SKU: S9.Q563062 Concert vesion for two pianos by Ingolf Dahl. Composed by Igor Stravinsky. Arranged by Ingolf Dahl. Downloadable. Duration 20 minutes. Schott Music - Digital #Q563062. Published by Schott Music - Digital (S9.Q563062). Igor Strawinsky schrieb die Danses concertantes ursprünglich für ein in Kalifornien ansässiges Unterhaltungsorchester. Die fünf Sätze sind allerdings mehr als rein orchestrale Tänze. Das Stück erinnert an eine Ballettsuite. Die beiden Märsche zu Beginn und am Ende untermalen Auftritt (Prolog) und Abgang (Epilog) der Tänzer, wobei zwei der mittleren Sätze – „Pas d’action“ und „Pas de deux“ – offenkundig auf das Ballett anspielen. Die Bearbeitung für zwei Klaviere von Ingolf Dahl ist nicht nur eine Reduktion des Orchestersatzes, sondern ganz bewusst als eigenständige Konzertfassung gedacht.
$40.99
38.24 €
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2 Pianos, 4 hands
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Igor Stravinsky
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Danses concertantes
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Schott Music - Digital
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SheetMusicPlus
I Know Where I'm Going
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1187941 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 2 pages. Richard Simm #787548. Published by Richard Simm (A0.1187941). This suite is based upon Richard Simm's Five Irish Melodies, which were originally composed for beginner students to play as piano duets with their teachers or with advanced students. In their new guise for two pianos, they are technically more challenging, but they have the advantage of allowing each performer total control over the subtle pedalling which is sometimes needed here. The lyrics tell of a girl who knows which man she loves, but heaven only knows which one she'll marry...
$6.95
6.48 €
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2 Pianos, 4 hands
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Richard Simm
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I Know Where I'm Going
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Richard Simm
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SheetMusicPlus
Lyric Suite
2 Pianos, 4 hands
Composed by Edvard Grieg (1843-1907). Arranged by Richard Simm. For Two pianos. Romantic P…
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Composed by Edvard Grieg (1843-1907). Arranged by Richard Simm. For Two pianos. Romantic Period. Advanced. Score. Richard Simm #2pv/337. Published by Richard Simm
$5.95
5.55 €
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2 Pianos, 4 hands
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Edvard Grieg
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Lyric Suite
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Richard Simm
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SheetMusicPlus
Carmen A Concert Suite for Two Pianos, Four Hands from Carmen - Instrumental Duet
Georges Bizet - Carmen A Concert Suite for Two Pianos, Four Hands - No. 1 Les Tor adors Di…
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Georges Bizet - Carmen A Concert Suite for Two Pianos, Four Hands - No. 1 Les Tor adors Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Duet;Instrumental Duet;2 Piano 4-Hands, instruments: Piano 2;Piano 1; 9 pages -- Classical~~Opera
$5.25
4.9 €
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Instrumental Duet
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Musicnotes
Saint-Saëns: The Swan for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.74 €
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Cello, Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.61 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.74 €
#
French Horn and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Bass Clarinet
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.74 €
#
Bass Clarinet
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.74 €
#
Clarinet and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
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